Throughout Judy Chicago’s career, she has alternated between working as an individual and on collaborative projects. Judy Chicago has long advocated and practiced collaborative creation as a cornerstone of feminist art practice. As an advocate against the traditional, male-dominated structures of the art world, she opposes the notion that an artist must work in isolation. Among other concerns, she points to the need to overcome the historical isolation faced by women as a reason to work together. She creates projects with one or two other artists, or, as in the case of The Dinner Party, as many as 400 others. She engaged in an eight-year collaboration with photographer Donald Woodman, her husband, to develop what is believed to be one of contemporary art’s most ambitious representations of the Holocaust (Holocaust Project, 1984-1992). For Birth Project (1980-1985), which resulted in 85 pieces, some 150 volunteer artists contributed needlework to create a series that depicted women’s perspectives on childbirth.
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Collaboration
175 items on this page
Collaboration, The Environment
Resolutions: A Stitch in Time
Collaboration
Resolutions: A Stitch in Time
The Dinner Party
Documentary Photos
Audio-Visual
Documents
Ephemera and Souvenirs
Birth Project
Documentary Photos
Documents
Holocaust Project
Participatory Art Pedagogy, Collaboration, Site Specific Works
Collaboration, Women and the historical narrative
The Dinner Party
Documentary Photos
Collaboration, The Body/Sexuality
Birth Project
Documentary Photos
Collaboration, Participatory Art Pedagogy